{"id":12000,"date":"2025-10-22T12:04:05","date_gmt":"2025-10-22T12:04:05","guid":{"rendered":"https:\/\/ica.am\/?post_type=projects&#038;p=12000"},"modified":"2026-06-22T12:22:37","modified_gmt":"2026-06-22T12:22:37","slug":"12000","status":"publish","type":"projects","link":"https:\/\/ica.am\/en\/projects\/12000\/","title":{"rendered":"\u201cRobot-in-the-Loop: Interactive Media Installations\u201d"},"content":{"rendered":"\n<p>This exhibition presents three robotic media installations that challenge the boundaries<br>between human intention and machine agency. By instinctively projecting intention, emotion,<br>and personality onto mechanical forms, we humanize robots\u2014revealing both our desire to<br>connect with the non-human and our assumptions about what it means to be alive, creative,<br>or autonomous.<\/p>\n\n\n\n<p>Dialogue (Elena Gubanova &amp; Ivan Govorkov, 2018 \/ CYLAND MediaArtLab) is a<br>speculative encounter between the creator and the creation. The prototype of the<br>work is a fragment of Michelangelo\u2019s world-famous fresco The Creation of the World.<br>Robotic arms perform gestures that reflect human emotions, pointing to the paradox<br>of the future: a machine created by humans engages in a dialogue that mirrors the<br>emotions of its creator, questioning the boundaries of subjectivity and authorship.<\/p>\n\n\n\n<p><strong>Different Robot <\/strong>(Anna Frants, 2025 \/ CYLAND MediaArtLab) follows Anatoly, a small<br>robot hand, as it seeks to make art in a world of specialized machines, transforming<br>technological interaction into playful creativity.<\/p>\n\n\n\n<p><strong>Emotionally Aware Robot<\/strong> (Anna Frants, 2025 \/ Engineering City) interprets human<br>facial expressions as mechanical gestures, revealing the fragile overlap of perception<br>and technology, and the ambiguities of communication.<\/p>\n\n\n\n<p>Together, these works invite audiences to confront the mirrored yet contested relationship<br>between humans and machines, where imitation, reflection, and autonomous action<br>challenge our assumptions about creativity, emotion, and responsibility. Visitors are invited to<br>interact with the robots, observing how their gestures simultaneously echo, distort, and<br>assert independence from human behavior, raising critical questions about agency,<br>authorship, and the limits of human control.<\/p>\n\n\n\n<p class=\"has-text-align-center\">* * *<\/p>\n\n\n\n<p>This exhibition took place in the framework of the International Media Art Festival CYFEST:<br>Midpoint \u2014 a series of events reflecting on the origins of media art and its resonances today.<br>Through film screenings, sound installations, robotic media, and live performances, the<br>festival traces a line from early experiments in cinema, telecommunication, and electronic<br>sound to today\u2019s innovations in bioart, AI, and robotics. Highlights include Sergei Parajanov\u2019s<br>early film Hakob Hovnatanyan, sound experiments inspired by inventions in signal<br>transmission, live performances by the concept horse and Yoshio Machida and robotic<br>installations that reflect on human-machine interaction.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This exhibition presents three robotic media installations that challenge the boundariesbetween human intention and machine agency. By instinctively projecting intention, emotion,and personality onto mechanical forms, we humanize robots\u2014revealing both our desire toconnect with the non-human and our assumptions about what it means to be alive, creative,or autonomous. Dialogue (Elena Gubanova &amp; Ivan Govorkov, 2018 \/ [&hellip;]<\/p>\n","protected":false},"featured_media":12014,"menu_order":0,"template":"","meta":{"_acf_changed":false,"nf_dc_page":"","_eb_attr":""},"projects_categoria":[173],"class_list":["post-12000","projects","type-projects","status-publish","has-post-thumbnail","hentry","projects_categoria-exhibitions"],"acf":[],"_links":{"self":[{"href":"https:\/\/ica.am\/en\/wp-json\/wp\/v2\/projects\/12000","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ica.am\/en\/wp-json\/wp\/v2\/projects"}],"about":[{"href":"https:\/\/ica.am\/en\/wp-json\/wp\/v2\/types\/projects"}],"version-history":[{"count":2,"href":"https:\/\/ica.am\/en\/wp-json\/wp\/v2\/projects\/12000\/revisions"}],"predecessor-version":[{"id":12019,"href":"https:\/\/ica.am\/en\/wp-json\/wp\/v2\/projects\/12000\/revisions\/12019"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ica.am\/en\/wp-json\/wp\/v2\/media\/12014"}],"wp:attachment":[{"href":"https:\/\/ica.am\/en\/wp-json\/wp\/v2\/media?parent=12000"}],"wp:term":[{"taxonomy":"projects_categoria","embeddable":true,"href":"https:\/\/ica.am\/en\/wp-json\/wp\/v2\/projects_categoria?post=12000"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}